The Strengths of the Cartoon Universe Analogy
Cartoons are a creation of skilled artists who conceive of their characters and the events in which they participate according to the value-judgments held by those artists. These artists design their cartoons and plan the events that take place in them, putting their conceptions into concrete form for purposes of enjoyment.
On the Christian view of the world, the universe is a creation of a conscious creator which conceives of its creatures and the events in which they participate according to the value-judgments it allegedly holds (i.e., the value-judgments of those who imagine the creator). On this view, the creator designs the universe and plans the events that takes place in it, putting its conceptions into concrete form for purposes of enjoyment.
Like cartoonists, the Christian god is characterized as a conscious entity. It can think, desire, command, get angry, remain angry, seek vengeance, condemn, behave destructively, etc. A famous argument for the existence of a god is the so-called "argument from design." Like cartoons, Christians think the universe was designed by a master designer. According to this view, the things that exist in the universe were conceived, designed and created by a creator which is said to have remarkable abilities. Man on this view has two arms and two legs, for instance, because the Christian god chose to create him this way. The Christian god could have easily created man with five arms and six legs if it wanted to.
Similarly, the images that we find in a cartoon were conceived, designed and drawn by a cartoonist who demonstrates remarkable drawing abilities. Bugs Bunny is a rabbit standing upright on two legs with long floppy ears and a bushy cottontail, for instance, because the cartoonist chose to draw him that way. The cartoonist could have just as easily drawn Bugs Bunny to resemble an actual rabbit, having it on all fours with its belly to the earth.
Christians often speak of "God's plan." Yes, that's right: their god, they tell us, is directing the entire course of human history according to what some defenders have called a "divine plan." This "plan" entails a design scheme down to the most miniscule detail. As apologist Mike Warren puts it, "All facts outside of God originate as a creation of God according to His eternal, comprehensive plan," adding that "the ultimate constant is God’s evaluation of worth and His plan." In other words, every event in human history was intended to take place according to this divine plan, since "God controls whatsoever comes to pass." (Van Til, The Defense of the Faith, 3rd ed., p. 160)
Similarly, the cartoonist has a plan for the cartoons that he creates. One cartoon's plan might involve a coyote's futile chasing of a lightning-quick roadrunner through a desert. Another cartoon's plan might involve superhuman heroes battling evil villains and their nefarious schemes. Yet another might involve the adventures of a boy in an amazing fantasy world that includes a giant floating peach. What Christian would say that their god cannot create a giant floating peach? After all, just as the cartoonist is not working with pre-established images on his drawing board, the Christian god is not confined to creating things from pre-existing materials. As Van Til puts it, "God had to create if he wished to create at all 'out of nothing'." (Ibid., p. 26) The cartoonist could have kept the peach that he draws to a small fruit growing on a tree just as easily as he can draw an enormous peach which floats in the air and contains living quarters for a young boy and his friends. And according to Christian mythology, so could the Christian god.
Another point of analogy between Christianity and cartoons is the fact that we typically do not see the cartoonist when we are watching a cartoon. We can see, for instance, the coyote being crushed by a giant boulder which fell on top of him from a high cliff, but we do not see the cartoonist as this happens, nor do we see him when we see the coyote emerging from underneath the boulder and walking around like an accordion. Similarly with Christianity: the world's events are said to be controlled by the Christian god, but we do not see this god, just as we do not see the cartoonist responsible for the events in a cartoon. I Timothy 1:17 declares that the Christian god is "invisible." Likewise, in the context of a cartoon, the cartoonist himself is also "invisible." This again shows that the cartoon universe analogy is superior to Paul's potter-clay analogy of Romans 9, for we can see the potter as we watch him work the clay he spins and molds into the shape he wants his product to have.
For these and other points that I have brought out in the past, it is clear that the cartoon universe analogy more fittingly models the Christian conception of the universe than the analogy we find in Romans 9. If Paul's potter-clay analogy is valid, then the cartoonist-cartoon analogy is vastly more valid. What Christian would say that something in the bible is not valid? Again, I am simply exposing the inherent absurdity of Christian theism as a worldview on its own terms. It is not my fault that Christianity conceives of the universe in a manner that is analogous to a cartoon. And it is not my fault that the world that a cartoon paints is fake. So it will not do to chastise me for the astounding appropriateness of the cartoon universe analogy. Christians who object to the cartoon universe analogy should take a closer look at what they're telling non-believers to believe. An argument for Christianity is essentially an argument for the cartoon universe premise.
by Dawson Bethrick
Labels: cartoon universe of theism